The canvas is bordered by what looks to be kente cloth. Against a bright blue background with slashes of yellow and strokes of black, a man in blue and white plaid pants – fear in his eyes – embraces a woman in a red and white plaid dress. She’s looked down – clearly distressed. Not far from them is a stretching white rabbit and a overturned basket. Above the basket is a black and white bull’s eye. You feel the movement in your chest and you understand the couple’s terror. They are falling… not to the ground, but through space… maybe even through time.
This is the 1989 work by Emma Amos titled, “Target.” It’s a great example of multiple elements Amos built upon through her entire artistic career.
- “Emma Amos”. The Museum of Modern Art. Retrieved 2 June 2020.
- Klacsmann, Karen T. “Emma Amos (b. 1937)”. New Georgia Encyclopedia. Retrieved 14 March 2017.
- Murray, Al (3 October 1968). “Interview with Emma Amos”. aaa.si.edu. Archives of American Art, Smithsonian Institution.
- Ryan Lee Gallery, Emma Amos
- Olsen, Kristen (1994) Chronology of Women’s History
- Greenberger, Alex (22 May 2020). “Emma Amos, Imaginative Painter Who Attacked Racism Through Figuration, Is Dead at 83”. ARTnews.com. Retrieved 2 June 2020.
- Cotter, Holland (29 May 2020). “Emma Amos, Painter Who Challenged Racism and Sexism, Dies at 83”. The New York Times. ISSN 0362-4331. Retrieved 2 June 2020.
- Amos, Emma; hooks, bell; Valerie J. Mercer, & Valerie J. Mercer (1993). Emma Amos: Paintings and prints 1982-92 (Exhibition Catalog) (First ed.). Wooster, OH: College Of Wooster Art Museum.
- Miles G. and Moses Amos Papers, Auburn Avenue Research Library on African American Culture and History.
December 6, 2020
The Whole Art Nebula 